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Burning with Desire: The Conception of Photography, by Geoffrey Batchen
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In an 1828 letter to his partner, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceeded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late-18th and early-19th centuries. In this refiguring of the traditional story of photography's origins, Batchen examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that accords with the medium's conceptual, political, and historical complexity.
- Sales Rank: #2001453 in Books
- Published on: 1997-07-25
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 8.00" w x .75" l,
- Binding: Hardcover
- 304 pages
Amazon.com Review
If, by 1725, all the chemical and optical necessities for the practice of photography already existed, why wasn't the art form invented until 1839? Geoffrey Batchen, an associate professor of art history and author of Burning with Desire, has an interesting answer: people simply weren't ready for it. Along with a blossoming in literature, philosophy, music, and science, the 18th century was also host to a whole new way of thinking about nature and landscape. The camera obscura, a portable box equipped with a lens or a mirror, was a popular tool that people used to first capture views and then trace them. The ability to reproduce a scene--however imperfectly--whet people's appetites for more exact methods, leading first to what Batchen calls the "proto-photographers," and then sometime later to the invention of Louis Daguerre's daguerrotype and Henry Fox Talbot's photography in the same year.
Batchen's history lesson is filled with eccentric characters and fascinating insights into passions and obsessions of the Age of Enlightenment. The book becomes controversial, however, in Batchen's assertion that the early photographers, rather than trying to capture reality, were, in fact, attempting to decontruct it--long before Jacques Derrida created the theory of deconstruction. Whether or not you end up agreeing with Batchen, Burning with Desire is a unique look at photography's roots, one sure to engender heated discussion among enthusiasts of the art form.
Review
This weirdly ahistorical argument that 19th-century photographers were in fact proto-deconstructionists serves a purpose, it turns out.... Batchen wants to save photography from an untimely death. In the last chapter of his book, titled "Epitaph," he discusses the threat to photography from computerized imagery.... Batchen suggests that the only way to save photography is to believe that real photographs are, like fake ones, nothing more than representations of representations. -- The New York Times Book Review, Sarah Boxer
About the Author
Geoffrey Batchen is Associate Professor in the Department of Art and Art History at the University of New Mexico.
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