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A Midsummer Night's Dream (No Fear Shakespeare), by SparkNotes
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No Fear Shakespeare gives you the complete text of A Midsummer Night's Dream on the left-hand page, side-by-side with an easy-to-understand translation on the right.
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Each No Fear Shakespeare contains
- The complete text of the original play
- A line-by-line translation that puts Shakespeare into everyday language
- A complete list of characters with descriptions
- Plenty of helpful commentary
- Sales Rank: #6729 in Books
- Brand: imusti
- Published on: 2003-07-03
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 5.50" w x .75" l, .86 pounds
- Binding: Paperback
- 192 pages
- Sparknotes
Review
This edition of A Midsummer Night’s Dream is wonderfully lucid and thoughtful, offering supporting material that will appeal to readers from high school students to scholars. The introduction is especially thoughtful, offering, in addition to expected discussions of love, magic and imagination, an exploration of the theatrical history. The bibliography and filmography are both detailed and helpful, and the questions guide students to consider the play from many viewpoints without ever forcing an interpretation onto them.
- Annalisa Castaldo, Widener University
Even as the New Kittredge Shakespeare series glances back to George Lyman Kittredge's student editions of the plays, it is very much of our current moment: the slim editions are targeted largely at high school and first-year college students who are more versed in visual than in print culture. Not only are the texts of the plays accompanied by photographs or stills from various stage and cinema performances: the editorial contributions are performance-oriented, offering surveys of contemporary film interpretations, essays on the plays as performance pieces, and an annotated filmography. Traditional editorial issues (competing versions of the text, cruxes, editorial emendation history) are for the most part excluded; the editions focus instead on clarifying the text with an eye to performing it. There is no disputing the pedagogic usefulness of the New Kittredge Shakespeare's performance-oriented approach. At times, however, it can run the risk of treating textual issues as impediments, rather than partners, to issues of performance. This is particularly the case with a textually vexed play such as Pericles: Prince of Tyre. In the introduction to the latter, Jeffrey Kahan notes the frequent unintelligibility of the play as originally published: "the chances of a reconstructed text matching what Shakespeare actually wrote are about 'nil'" (p. xiii) But his solution — to use a "traditional text" rather than one corrected as are the Oxford and Norton Pericles — obscures how this "traditional text," including its act and scene division, is itself a palimpsest produced through three centuries of editorial intervention. Nevertheless, the series does a service to its target audience with its emphasis on performance and dramaturgy. Kahan's own essay about his experiences as dramaturge for a college production of Pericles is very good indeed, particularly on the play's inability to purge the trace of incestuous desire that Pericles first encounters in Antioch. Other plays' cinematic histories: Annalisa Castaldo's edition of Henry V contrasts Laurence Oliver's and Branagh's film productions; Samuel Crowl's and James Wells's edition of (respectively) I and 2 Henry IV concentrate on Welle's Chimes at Midnight and Gus Van Sant's My Own Private Idaho; Patricia Lennox's edition of As You Like It offers an overview of four Hollywood and British film adaptations; and John R. Ford's edition of A Midsummer Night's Dream provides a spirited survey of the play's rich film history.
The differences between, and comparative merits of, various editorial series are suggested by the three editions of The Taming of the Shrew published this year. Laury Magnus's New Kittredge Shakespeare edition is, like the other New Kittredge volumes, a workable text for high school and first year college students interested in film and theater. The introduction elaborates on one theme — Elizabethan constructions of gender — and offers a very broad performance history, focusing on Sam Taylor's and Zeffirelli's film versions as well as adaptations such as Kiss Me Kate and Ten Things I Hate About You (accompanied by a still of ten hearthtrobs Heath Ledger and Julia Stiles). The volume is determined to eradicate any confusion that a first time reader of the play might experience: the dramatis personae page explains that "Bianca Minola" is "younger daughter to Baptista, wooed by Lucentio-in-disguise (as Cambio) and then wife to him, also wooed by the elderly Gremio and Hortensio-in-disguise (as Licio)" (p.1). Other editorial notes, based on Kittredge's own, are confined mostly to explaining individual words and phrases: additional footnotes discuss interpretive choices made by film and stage productions. Throughout, the editorial emphasis is on the play less as text than as performance piece, culminating in fifteen largely performance-oriented "study questions" on topics such as disguise, misogyny, and violence.
Studies in English Literature, Tudor and Stuart Drama, Volume 51, Spring 2011, Number 2, pages 497-499. From the Publisher
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
From the Inside Flap
Magic, love spells, and an enchanted wood provide the materials for one of Shakespeare's most delightful comedies. When four young lovers, fleeing the Athenian law and their own mismatched rivalries, take to the forest of Athens, their lives become entangled with a feud between the King and Queen of the Fairies. Some Athenian tradesmen, rehearsing a play for the forthcoming wedding of Duke Theseus and his bride, Hippolyta, unintentionally add to the hilarity. The result is a marvelous mix-up of desire and enchantment, merriment and farce, all touched by Shakespeare's inimitable vision of the intriguing relationship between art and life, dreams and the waking world.
Each Edition Includes:
- Comprehensive explanatory notes
- Vivid introductions and the most up-to-date scholarship
- Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
- Completely updated, detailed bibliographies and performance histories
- An interpretive essay on film adaptations of the play, along with an extensive filmography
Most helpful customer reviews
3 of 3 people found the following review helpful.
Great for teaching Shakespeare to middle school
By Tomi
I'm teaching his graphic novel version of A Midsummer Night's Dream to my 7th grade English class in rural New York. For most of them, it is their first experience with Shakespeare. I wanted to give them a graphic novel (with the original Shakespearean text) because I wanted to familiarize them with the difficult language, knowing they would experience it throughout their high school life. I chose the graphic novel so they would be able to understand the gist, even if they couldn't understand each individual word. For the most part, we read the play aloud, but the kids are able to understand what's going on. As well, I would say about 1/2 to 3/4 of my students genuinely like it. For Shakespeare, in Middle School, those are actually pretty awesome odds. The others are either disinterested by everything (because they're 12) or don't have a clue what's going on because the language is so difficult. We work a lot to meet each kid where they are, and this graphic novel really helps with that.
1 of 1 people found the following review helpful.
One of his very best!
By Randee Baty
How do you review Shakespeare? He's the greatest writer in the English language so I can't give him high enough praise. This particular play is one of the best of the best. It's funny, witty, romantic, smart, colorful and readable. For anyone not comfortable with Shakespeare, Midsummer Night's Dream would be a great place to start. The Pelican edition is light and easy to carry. It has the line numbers which are necessary if you are reading or studying it with a class or a group. The font size is makes it easy to read. These editions are what I use to teach Shakespeare because they are more comfortable for students than having them buy a larger, complete version.
0 of 0 people found the following review helpful.
"Reason and love keep little company together nowadays."
By B. Wilfong
“A Midsummer Night’s Dream” is one of Shakespeare’s most produced plays, but it also has the distinction of being quite good. This play exudes in the joys to be had in romping through the realms that we can never truly understand or explain. Realms like love, our dreams, fantasy, etc. It is a funny and clever play, and Shakespeare gives the reader a master class in interweaving three separate plotlines in a manner that is nicely and appropriately done.
There are many joys to be had in reading (and seeing) “Midsummer”, but unique to reading the play here are just a few reasons why it is worth your attention. First, the introduction by Russ McDonald (Pelican Shakespeare edition) has some really good insights that I have not come across elsewhere. It is well done. As for the play itself, it yields countless joys, among them Act 2:1 where the leaders of the fairy fantastical world (Oberon and his queen Titania) have an epic quarrel. The scene boast some of the loveliest poetry in all of Shakespeare. The imagery is astoundingly fantastic. “Midsummer” actually contains some of the best poetry in the Shakespearean canon period, especially in the characters of Oberon- the King of the fairies, and Duke Theseus. In the hands of talented actors they have moments in the play that are mesmerizing. Act 5 of “Midsummer” is also one of the most pleasing and funny in all of Shakespeare. All of the loose plot lines are tied up; it has gut busting humor, and again that lovely poetry. As one of Shakespeare’s few original plotlines and a play where fantasy and harmony are emphasized, I imagine that the self-justification of art and artists was sometimes in his head as he wrote it. One of the truly remarkable plays of all time.
As for the Pelican Shakespeare series, they are my favorite editions as the scholarly research is usually top notch and the editions themselves look good as an aesthetic unit. It looks and feels like a play and this compliments the text's contents admirably. The Pelican series was recently reedited and has the latest scholarship on Shakespeare and his time period. Well priced and well worth it.
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