Minggu, 29 Maret 2015

[C303.Ebook] Download IB Philosophy: Being Human: Online Course Book, by Nancy Le Nezet, Chris White, Daniel Lee, Guy Williams

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IB Philosophy: Being Human: Online Course Book, by Nancy Le Nezet, Chris White, Daniel Lee, Guy Williams

The most comprehensive coverage of the core content Being Human, this online course book helps learners grasp complex philosophical ideas and develop crucial thinking skills. Developed directly with the IB, dedicated assessment support straight from the IB builds confidence. The most comprehensive coverage of the core content Being Human, developed directly with the IB Engage learners in the course, connecting philosophical ideas with contemporary and relevant real situations Build practical skills and develop student confidence with skills application Help students understand exam achievement levels and progress attainment with clear student samples Assessment support straight from the IB cements assessment potential Support all learning styles and simplify complex philosophical ideas using clear visuals and illustrations Reinforce all the key ideas with integrated activities helping you extend and deepen understanding The only DP Philosophy resource developed directly with the IB Also available in print format The license is valid until 31 December 2022 Online Course Book includes multiplatform access, compatible with PCs, Macs, iPad, tablets and more

  • Published on: 2015-02-19
  • Dimensions: 8.35" h x .8" w x 5.87" l,
  • Binding: Printed Access Code
  • 416 pages

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Kamis, 26 Maret 2015

[K646.Ebook] Ebook Free The Japanese Grill: From Classic Yakitori to Steak, Seafood, and Vegetables, by Tadashi Ono, Harris Salat

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The Japanese Grill: From Classic Yakitori to Steak, Seafood, and Vegetables, by Tadashi Ono, Harris Salat

American grilling, Japanese flavors. In this bold cookbook, chef Tadashi Ono of Matsuri and writer Harris Salat share a key insight: that live-fire cooking marries perfectly with mouthwatering Japanese ingredients like soy sauce and miso.

Packed with fast-and-easy recipes, versatile marinades, and step-by-step techniques, The Japanese Grill will have you grilling amazing steaks, pork chops, salmon, tomatoes, and whole chicken, as well as traditional favorites like yakitori, yaki onigiri, and whole salt-packed fish. Whether you use charcoal or gas, or are a grilling novice or disciple, you will love dishes like Skirt Steak with Red Miso, Garlic–Soy Sauce Porterhouse, Crispy Chicken Wings, Yuzu Kosho Scallops, and Soy Sauce-and-Lemon Grilled Eggplant. Ono and Salat include menu suggestions for sophisticated entertaining in addition to quick-grilling choices for healthy weekday meals, plus a slew of delectable sides that pair well with anything off the fire.

Grilling has been a centerpiece of Japanese cooking for centuries, and when you taste the incredible dishes in The Japanese Grill—both contemporary and authentic—you’ll become a believer, too.

  • Sales Rank: #14580 in Books
  • Brand: Brand: Ten Speed Press
  • Published on: 2011-04-26
  • Released on: 2011-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .70" w x 9.10" l, 1.78 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review
“It will blow the lid off your grill.”
—Seattle Weekly's Voracious Blog, Cooking the Books,�6/1/11

"What makes this book a wonderful resource is the authors' conviction that by applying traditional Japanese flavors to untraditional Japanese ingredients, home cooks will end up with something unexpected and delicious. . . . With The Japanese Grill, the authors have woven the seemingly disparate cultures and grilling styles to create a cookbook that respects and enriches both."
—The Epi-Log, Epicurious.com, 5/20/11

"The Japanese Grilltakes grilling to a new, unexpected level, mixing infinitely familiar grilled fare with a bit of the exotic."
—Devour Recipe & Food Blog, Cooking Channel, 5/12/11

“The land of the rising sun shares its border with barbecue country in this simple and salty collection.”
—Publishers Weekly, 3/7/11

“From the simple (foil-baked green beans) to the sublime (chashu pork), this book boasts some of the most fabulous grilling recipes ever assembled in one volume. If you consider yourself to be a grill aficionado, you must—and I mean must—own it. Your grill library won’t be complete without it.”
—James Oseland, editor in chief of Saveur and author of Cradle of Flavor

“A stunning book about one of my favorite grill cultures. You can see how the Japanese have elevated live-fire cooking to the level of art.”
—Steven Raichlen, author of Planet Barbecue and host of Primal Grill on PBS

“Demystifying the seemingly inapproachable is something that Ono and Salat believe in as much as I do. With The Japanese Grill they have taken on a genre of cooking that every home cook wants to become intimate with but thinks they can’t execute. This book should get a serious workout on kitchen counters around the country. I love it!”
—Andrew Zimmern, host of The Travel Channel’s Bizarre Foods with Andrew Zimmern and author of The Bizarre Truth

About the Author

TADASHI ONO is executive chef at Matsuri in New York City. He has been featured in The�New York Times, Gourmet, and Food & Wine. Visit www.matsurinyc.com

HARRIS SALAT’s stories about food and culture have appeared in The New York Times, Saveur, and Gourmet, and he writes the blog, The Japanese Food Report (www.japanesefoodreport.com). He is the author, with Takashi Yagihashi, of Takashi’s Noodles. Together, Ono and Salat are the authors of Japanese Hot Pots. Visit The Japanese Grill online: www.thejapanesegrill.com.

Excerpt. � Reprinted by permission. All rights reserved.
THE BASICS: GRILLING

SETTING UP YOUR GRILL
What kind of grill should you use, charcoal or gas? It boils down to heat and convenience. Which is best for you? A totally personal choice. Tadashi, who grills for his family almost every Sunday, three seasons a year, insists on charcoal for its purity of cooking and flavor. Harris also loves charcoal, but keeps a gas grill handy for hurry-up weeknight grilling. For this book, we stick to the two most popular grilling options for our recipes, kettle-style charcoal grills and gas grills, and base our timings on them.

Charcoal grills �Not only do charcoal grills pump out a lot more heat than gas grills, they also surround foods with enveloping rays from the glowing coals, searing and cooking foods in a way gas grills just can’t. And besides the high temperatures, charcoal, especially lump charcoal, produces a singular smoky flavor. With charcoal grills, though, you have to start a fire, maintain it, manage temperature, and clean up the ash. It’s more work, but� the challenge makes the results that much more rewarding.

Gas grills� No doubt about it, gas grills are much more convenient to use than charcoal grills and easier to control, and there’s no messy ash to trash after dinner. And gas grills like the Weber we used in our book have special metal bars that vaporize dripping juices, thus adding flavor while eliminating flare-ups.

Kamado grills� We also want to mention charcoal-fueled kamado-style grills like the Big Green Egg. These are grills lined with high-fire ceramics or other types of earthenware that do a great job of retaining heat, so you can grill much hotter. They have a cultish following; as fans can attest, foods grilled on them turn out fantastic. If you do use an Egg or any other kamado-style grill for the recipes in this book, follow its user’s guide to adjust recipe timing.

Charcoal� When grilling with charcoal, a good-quality lump hardwood charcoal is best. These irregularly shaped chunks of natural charcoal are 100 percent hardwood and contain no additives. They burn hotter and faster than charcoal briquettes, so cook foods better. Lump charcoal is more expensive than briquettes, but if it fits your budget, go with it. Otherwise, look for all-natural charcoal briquettes, which are not laced with additives like regular briquettes.

Chimney starter� With any type of charcoal, light the briquettes with a cylindrical chimney starter rather than lighter fuel, which infuses food with an unappealing, fuel-tinged flavor. You’ll find them at any store that sells grilling equipment. To use: Pile charcoal into the top chamber and stuff crumpled newspaper into the bottom chamber, which has holes on the sides. Set the chimney starter on the lower grate of your grill (which holds the charcoal) and light the newspaper. The coals will ignite; when they’re covered with gray ash, they’re ready for cooking. (Chimney starters get very hot and must be handled safely. Be sure to fully read the user’s guide that accompanies this tool before the first use.)

Japanese Grills
Kettle and gas grills rule the American backyard. But Japanese use different kinds of grills that are also terrific and available here. First, let’s dispel a myth: In Japan, hibachi aren’t grills. There, they are cylindrical or box-shaped containers (earthenware or earthenware-lined) used for smoldering charcoal to heat a room. Somehow, in America, the word hibachi came to mean a small-sized grill or a flat-top griddle. Small Japanese grills are actually called shichirin. These grills are made from earthenware or ceramics; come in different sizes; and are cylindrical, square, or rectangular. Some are small enough to rest on a tabletop, which you see in restaurants in Japan. Charcoal-fired konro are larger grills, typically rectangular shaped, and made from heatproof ceramics or metal. These are the grills used at yakitori joints to sizzle perfect skewers of chicken; their narrow fireboxes concentrate and focus heat from the charcoal while at the same time insulating the hands that turn the skewers. Konro are perfect for Japanese skewer grilling (page 19) but also typically come with removable wire-mesh cooking grates, so you can use those as well. Konro are sold in various sizes; a 54-centimeter version (about 21 inches) is perfect for home use, and, as we can personally attest, an incredible way to grill foods (see “Sources,” page 177 , for retailers). With all these Japanese grills, you don’t use typical American charcoal, lump or not. Instead, you burn binchotan, an almost magical, artisan-made Japanese charcoal (see “Binchotan,” page 12).�

INDISPENSABLE TOOLS
No matter how kitted-out your charcoal or gas set-up, you need the right tools to grill successfully. You don’t need a ton of stuff, just these indispensable tools:

Grill brush� A heavy duty, steel-bristled brush will let you scrape off the gunk that accumulates on your cooking grate. Use it before and after you grill so foods won’t stick. Preheat the grill, then brush the cooking grate like you mean it.

Oil wad� This one’s a DIY (do-it-yourself) tool—either a wad of paper towels or an old kitchen towel. It works in tandem with the grill brush to ensure that food won’t stick. Dunk the wadded paper or towel in a small container of vegetable oil (1/2 cup is fine). Preheat the grill, then scrape the cooking grate with your grill brush. Now grab the oil-soaked wad with tongs and completely coat the cooking grate with oil. It might get a little smoky when you oil the grate, but don’t worry, that will dissipate quickly.

Tongs �Buy a pair of sturdy, 16-inch-long steel tongs to safely turn foods on the grill without burning yourself (and also do the oil-wad trick described before). Use tongs, not a monster fork, to turn foods; you don’t want to pierce your precious (and expensive) steak or chop and let all its luscious juices run out.

Kitchen chopsticks� Called saibashi in Japanese, these super-sized kitchen chopsticks (14 inches long and up) are incredibly handy for turning delicate or small ingredients on the grill—scallops or spears of asparagus, for example. You can find these inexpensive wood or bamboo chopsticks at Japanese food markets.

Spatula� A spatula is critical for flipping fish fillets, burgers, or any other delicate foods that can break apart on the grill. Use a spatula with a blade at least 6 inches long. An all-metal spatula, the kind that does yeoman’s work on the kitchen stove, is great. If you’re grilling fish fillets, keep two handy, which makes turning easier.

Basting brush� We baste like nobody’s business in this book, so a sturdy basting brush is a must. The best choice is a natural boar-bristle brush with a long handle that will keep your hand safely away from the heat. Make sure to hand-wash these brushes in hot, soapy water after each use. Avoid nylon bristles as they can melt if they touch the grate. An alternative is a brush with silicone bristles, as silicone can withstand higher temperatures.

Spray bottle� Keep a water-filled spray bottle handy to kill flare-ups before they scorch and blacken your food.

Hand fan� Use a sturdy hand fan or paddle fan two ways: to fan coals when you start your fire so they reach grilling temperature quicker and to fan coals when they’re losing power, to revive them with a blast of oxygen-rich air.�

Binchotan
Made from the branches of Japanese oak, binchotan is a revered, traditional white charcoal. While the word dates back to the 1700s, charcoal-making in Japan reaches back over a millennium and has played a central role in Japanese cooking since. What makes binchotan so special? Produced by artisans following the laborious methods handed down through the generations, the oak is fired in an earthen kiln for about a week, producing charcoal so hard it clinks like glass when struck together. Binchotan, which still keeps the natural shape of the branches from which it’s derived, burns for hours, smokeless and odorless, at a whopping 1,800˚F. It’s an integral element of chanoyu, the Japanese way of tea, where it’s used for ritualistically heating the water. It is also essential for Japanese grilling because the very action of its intense infrared rays creates umami flavor compounds in ingredients—so just grilling something on binchotan makes it taste better. The best binchotan comes from one tiny area in Japan, the Kishu region of Wakayama Prefecture, and is expensive; only certain oak of a certain age can be used, and few charcoal artisans plying this trade remain. But pricy or not, binchotan is the charcoal of choice for chefs devoted to grilling. Because it’s so hard, lighting binchotan is tough; you have to place it over a live fire to ignite it. Once lit, it often takes an hour or more for the charcoal to become coated with white ash and reach cooking temperature. But because it burns so long, you can very carefully transfer red-hot binchotan from a grill to a hikeshi tsubo (fire-extinguishing pot), a special earthenware jar that will hold and eventually extinguish the charcoal, so you can use it again and again, until it reduces to dust.�

MANAGING HEAT
Managing heat on a stovetop is easy: just adjust the burner’s controls this way or that and choose cookware like copper or cast iron to improve heat retention. Managing heat on the grill, on the other hand, is a whole different ballgame. On the grill, of course, you’re dealing with direct flames, so you have to know how to do two things. First, you have to gauge temperature using either “hand over fire” technique or a grilling temperature (see “Temperature Chart,” below). And second, depending on the recipe, we grill one of three ways: direct, two-zone, or indirect.�

Flare-Ups
When fat drips from foods and hits red-hot coals, the fat smokes—then flares. These mini-fires can spell disaster for the grill, coating ingredients with black soot or scorching them beyond repair. A cover helps fight flare-ups by cutting off oxygen; otherwise use these two methods: First, leave enough room on the grill to shift foods. As soon as there’s a flare-up, move an ingredient to another part of the grill while the flare-up burns out. Another option is to spray down those flames with a water-filled spray bottle. (You can do both options concurrently, of course.) Either way, you want to grill on coals, not shooting flames, so tamp down flare-ups right away.

Grill Marks
The gorgeous crosshatched grill marks that you see on the meat, chicken, and fish photographed for this book were created by Tadashi, who did the grilling for the pictures, and who is a pro chef. But with a little practice, home cooks can also sear these distinctive marks on the foods they prepare. Here’s how: Sear your ingredient for about 1 minute. Now, without flipping, give the ingredient a quarter turn (so it shifts 90 degrees). When it’s time to flip the ingredient , repeat this process on the other side. Grill marks aren’t a must, but they do make foods look pretty—and mouthwatering.

Secrets to Great Grilling
Here are the ten most important things to keep in mind when grilling:
1. Know thy grill. Your particular grill might be smaller or larger than the ones we used to test our dishes, or it could be a Big Green Egg. Adjust timing accordingly. Test for doneness when your food looks done.
2. Marinate with a flat-bottomed vessel. Use a baking dish, sheet pan, or even a plate to marinate. A flat bottom provides more surface area than a bowl, so the ingredients will better absorb the marinade.
3. Make sure the coals are hot. For charcoal grills, don’t start grilling until the charcoal is fully lit, glowing, and covered in a fine gray ash. Use a hand fan to hasten this process.
4. Preheat your grill. Make sure the grill—and especially the cooking grate—is adequately preheated before starting to grill. Preheat the grate for at least 5 minutes. For a gas grill, close the cover to preheat.
5. Brush and oil the cooking grate every time. Repeat: brush and oil your cooking grate every time you grill to keep food from sticking to the grate. We can’t emphasize this enough.
6. Keep the vents open. For charcoal grills, make sure the vents on the bottom and cover are open to allow oxygen to fuel your fire. Also, make sure the vents on the bottom aren’t clogged, so air can get in.
7. Use the cover strategically. We’ll tell you which foods must be grilled covered. The cover traps heat, so thick cuts of meat cook evenly, and also cuts the flow of oxygen, reducing flare-ups.
8. Add more coals. Keep the temperature consistent by adding more charcoal to the grill before the fire gets too weak. After coals burn for about 1 hour, it’s time to replenish. For gas grills, always keep an extra tank on hand so you don’t run out.
9. Keep your grill clean. Brush the cooking grate after grilling, while it’s still hot. When the grill cools, scoop out the leftover ash. For gas grills, clean the briquettes or lava rocks once they cool and keep the gas jets unclogged. Wipe down the grill regularly with soap and water.
10. Remember, grilling is an art. That’s the fun and beauty of it. When you’re cooking over fire, you’re really cooking—that’s why we love grilling! So use your judgment: remember, the recipes in our book are guidelines. Grill according to your gut, your equipment, your ingredients, and your environment (grilling in Denver, the Mile High City, say, requires more time than grilling in Death Valley).�

CLASSIC YAKITORI
SOUL FOOD, COMFORT FOOD, DRINKING FOOD—yakitori is all this and more. The word literally means “grilled bird,” but yakitori can also include beef, pork, duck, and veggies. No matter which ingredients you use, yakitori is always bite-sized pieces, impaled on skewers, and grilled over fire, preferably one fueled with Japanese binchotan (see “Binchotan,” page 12). Chicken remains the primary ingredient for yakitori—some old school joints serve nothing but—prepared either seasoned with salt or basted with tare (pronounced “tar-eh”), or sauce. But the tare isn’t brushed on willy-nilly. The secret to great yakitori is grilling the chicken partway, coating with the sauce, and then grilling the coated chicken. So you grill both the chicken and the sauce. This one-two punch is the reason why yakitori comes out double-caramelized and so lip-smacking delicious. And it’s why yakitori is one of the most popular and beloved foods in Japan.

Although there were references to it some two hundred years earlier, yakitori really caught the fancy of the general population in the nineteenth century when Japan reopened to the West and its citizens began consuming meat again (see “Meat in Japanese Cooking,” page 2). Interestingly, the most prized meat at that time was chicken, not beef, and high-end “chicken cuisine” restaurants began popping up all over Japan, especially along routes to important shrines. It was the leftover bits of chicken from these restaurants that ended up spawning another enterprise: skewering and grilling scraps of chicken as yakitori. Eventually, yakitori became woven into the fabric of Japanese life, especially after World War II, with the skewers offered at yatai (mobile food stalls) and mom-and-pop joints. A singular yakitori culture and connoisseurship were born, with this simple cooking often raised to a level of culinary art. Customers enjoy every part of the chicken imaginable—and some unimaginable—and feast on heirloom breeds, birds of different ages, even fighting cock, reveling in a celebration of chicken-y flavors and textures. In fact, Tadashi’s earliest childhood memories include tagging along as his father slipped out of the house to meet his pals for yakitori and beer at “Beautiful Land,” the corner hole-in-the-wall where Tadashi developed a lifelong devotion to these skewers.

Because yakitori places are so widespread in Japan—and because most people there live in homes without outdoor space—grilling skewers is usually left to professional cooks. But here in America, where a Weber is almost a birthright, we’ve made it our mission to show you how you can prepare these delicious skewers at home. They’re fast and easy to prepare; easy to handle on the grill; and, most importantly, easy to grab hold of and eat. Once you try yakitori at home, we personally guarantee you’ll get hooked!

A couple of practical things to keep in mind:
Tare or salt? �Chicken yakitori is typically grilled two ways: double-caramelized with the tare or grilled straight up with just salt. Depending on the part of the bird, we suggest the most popular option in the recipes that follow, but feel free to switch if you’d prefer—ultimately it’s up to you. Also, some chicken yakitori recipes, and some nonchicken yakitori, have other traditional flavor pairings, which we stick to, rather than the tare or salt.

Accents� We recommend the two primary accents, shichimi togarashi (page 7) and sansho (page 7), depending on the skewer; but again, feel free to switch up, or even mix the two together to make your own custom blend.

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56 of 59 people found the following review helpful.
Bring Japanese grilling into your own back yard
By I Do The Speed Limit
Because I saw so many conflicting reviews on this book I decided to check it out of the library first. I've had it for three weeks, and I've now ordered my own copy from Amazon. It has so much good information in it: Marinade recipes, techniques for adapting your Weber grill (gas or kettle) to the classic yakitori style of grilling, how to thread your skewers for yakitori, tips for getting the most from your marinades and bastes, and advice on what cuts of meat (fowl, beef, pork, lamb), species of fish, types of veggies to use, and where to get hard-to-find ingredients. This cook book takes classic Yakitori grilling and puts it in a very fresh new light: It takes Yakitori grilling off the in-home table top and shoves it out into our back yards. The authors present the classical approach via our American love of outdoor grilling.

I love to grill, BBQ, whatever you want to call it--I'm out in the yard all the time. And because I live in lower Texas, I'm outside cooking more often than not. I've got a smoker, several grills and a setup for open flame. Give me hardwood charcoal, pecan wood from our trees out back, propane; give me a grate, or skewers or a red-hot cast iron griddle: Point is, give me almost any type of food and I'll try to cook it outdoors. I may not be the most "normal" of grillers, but I bet the further South you travel in this great country of ours, the more "normal" I appear to be. Because the more opportunities there are to grill outdoors, the more you embrace it.

Problem is, grilling so often, sometimes I need a little creativity boost. I'm unhappy with myself when I start putting the same-ole', same-ole' on the table. American-style barbecue sauce is barbecue sauce; you can change it just so many ways. Same goes for American-style marinades. So there was a time that I got tired of the usual recipes for "BBQ" and grilling in general and I turned to "Fushion" recipes and started incorporating soy sauce, ginger, scallions, hot peppers into my marinades and bastes. Add another culture's grilling style into your repertoire and you're off and running again.

So I got cozy with the Asian markets in my vicinity and now I've got a whole cabinet full of Asian sauces and condiments. And that's where I was a month ago: Experimenting. And while I love to experiment, I also love to have some expertise behind my gambles.

Now I have this book and it provides a wealth of different marinades and a lot of techniques to make the most of them and to pair them with the right cut of meat, seafood or veggie. Granted, there are a lot of recipes that are "variations on a theme", but in most of those recipes there is a little tidbit of very useful information, and those tidbits of info then feed my "fire" for more creativity.

I especially love to prepare whole fish on the grill. This book has an extensive seafood and fish chapter. And, the authors have provided a good variety of fish species as alternatives. I'm very happy with that.

If you have investigated Asian markets before, you are probably familiar with most of the ingredients listed. (If you've never been to an Asian market, you really need to do yourself a favor and make a day trip of it--you will be amazed!) Most are pantry shelf items that you can find and keep at home. There are two herbs--shiso (perilla) and mitsuba (Japanese parsley)--that you can grow in your garden. There might be one or two hard-to-find condiments, but they are described in the book with such detail, you can probably make do and concoct your own reasonable substitute, (There it is again: Creativity!).

I also have the authors' book: Japanese Hot Pots: Comforting One-Pot Meals. Now, I wasn't so keen on that book as I am on this one. That book does require a lot of fresh veggies and greens that are not available daily in my area. So it wasn't so user-friendly for me. But we have reconfigured our winter garden to incorporate some of the veggies and greens that are used in hot pots, so we're using that book more often. Plus, the more often you use the names and ingredients that go with the names, it all gets easier.

I'm very glad to have this book in my cook book collection. I've got a whole shelf on grilling, another shelf for Asian and Japanese, a shelf for seafood and fish, a shelf for beef and pork, many shelves for veggies--this book is a stand-out on any of these shelves!

NOTE: If you need to shy away from salt in your diet, you may want to check this out of your library before deciding to purchase it. There is a lot of salt in the sauces and condiments used; a lot of salt in soy sauce and miso pastes. I personally try to avoid a lot of salt in my diet, and I find that I might be able to cut down a touch of salt in these recipes. I also pair these grill recipes with plain rice and steamed veggies. You might never appreciate plain rice until you use it as a counterpoint to a richly flavored, salty taste of grilled meat or fish. After pairing the two together, you will crave the combination more and more often.

ANOTHER THOUGHT: I list below a few other cook book titles--not that I consider them as fine as the one I'm reviewing here, but they might work for you: If you like the idea of adding another culture's ingredients to your grill recipes, but think The Japanese Grill contains too many unknown or unfamiliar ingredients, you may want to take a look at some older books: Steven Raichlen was one of the first--if not the first--to start writing about grilling "cultures": The Barbecue! Bible and Planet Barbecue!, and any of the series by Hugh Carpenter and Teri Sandison, like Hot Barbecue (Hot Books). These books would allow you to approach these new flavors at a more leisurely pace.

Happy grilling!

42 of 45 people found the following review helpful.
Results well worth it!!
By Craig Bernstein
As the owner of several grilling and BBQ cookbooks (yes there's a difference!) I rate this one among the best out there. I've tried several recipes from 'The Japanese Grill' and each one of them has added welcomed variety and flavor to my repertoire of faithful standbys. There is a commitment here in that you will need to to rustle up certain key ingredients from a local or online Asian market (fortunately I live close to several) but the results are well worth it.

I highly recommend the recipe for skirt steak with red miso marinade. I've made it it twice already both times to rave reviews. I also recommend the recipe for yuzu kosho shrimp which was quick and easy to make and delivered shrimp with intense flavor. The recipes are straightforward and consist of simple and healthy ingredients. Overall, Salat and Chef Ono have brought a lot to my table (literally) with their recent series of simple and adventurous Japanese cookbooks (I also own their 'Noodles', and 'Hot Pots'!).

If you're a committed, serious griller looking for new twists and high returns, I would not hesitate to start your grilling season by exploring 'The Japanese Grill.'

9 of 10 people found the following review helpful.
Disappointing.
By Anne Dell
Underwhelmed. The recipes are good, but very basic. Essentially the book teaches you six or seven marinades and then spends 150 pages of recipes telling you to marinate xyz ingredient in abc marinade. Good for the basic technique, but yakitori chicken wings, legs, with scallions, breast, tenderloins, etc are all variations on the same basic recipe and technique. These could have all been covered on one page instead of 10. For the price, I was hoping for more than seven recipes.

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[B406.Ebook] Fee Download I Am Not Your Victim: Anatomy of Domestic Violence (SAGE Series on Violence against Women) 2nd (second)

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  • Binding: Paperback

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Selasa, 24 Maret 2015

[G578.Ebook] Ebook Download Optimal Transport Methods in Economics, by Alfred Galichon

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Optimal Transport Methods in Economics, by Alfred Galichon

Optimal Transport Methods in Economics is the first textbook on the subject written especially for students and researchers in economics. Optimal transport theory is used widely to solve problems in mathematics and some areas of the sciences, but it can also be used to understand a range of problems in applied economics, such as the matching between job seekers and jobs, the determinants of real estate prices, and the formation of matrimonial unions. This is the first text to develop clear applications of optimal transport to economic modeling, statistics, and econometrics. It covers the basic results of the theory as well as their relations to linear programming, network flow problems, convex analysis, and computational geometry. Emphasizing computational methods, it also includes programming examples that provide details on implementation. Applications include discrete choice models, models of differential demand, and quantile-based statistical estimation methods, as well as asset pricing models.

Authoritative and accessible, Optimal Transport Methods in Economics also features numerous exercises throughout that help you develop your mathematical agility, deepen your computational skills, and strengthen your economic intuition.

  • The first introduction to the subject written especially for economists
  • Includes programming examples
  • Features numerous exercises throughout
  • Ideal for students and researchers alike

  • Sales Rank: #745516 in Books
  • Published on: 2016-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 184 pages

Review
"As the author develops it, the theory is almost always very clear. The approach that Galichon has developed, based on linear programming, is receiving increased attention from economists and mathematicians in spite of its obvious complexity. . . . [A] clear and succinct analysis and discussion."--Choice

From the Back Cover

"This book is a valuable contribution to a rapidly expanding literature, written by a leader in the field."--James J. Heckman, University of Chicago, winner of the Nobel Prize in economics

"Since its inception, the mathematical theory of optimal transportation has served as a secret weapon in the hands of a few scholars for tackling outstanding challenges in economics, ranging from matching and price theory to econometrics and finance. With the publication of Galichon's engaging and accessible text, the secret is revealed to a new generation of students and researchers; I expect much progress to result."--Robert J. McCann, University of Toronto

"Economic applications of optimal transport problems have recently flourished. This book, written by one of the best specialists of the field, provides a detailed presentation of the mathematical tools involved, from the abstract foundations of the theory to the practical implementation of optimizing algorithms, with applications ranging from the analysis of the labor market to the resolution of difficult problems in econometrics. For any student or researcher interested in the topic, this is a must-read."--Pierre-Andr� Chiappori, Columbia University

"I am aware of no other book on the subject written especially for economists."--Philipp Kircher, University of Edinburgh

"Very timely. Until now, there was no focused yet coherent introduction to the subject available to economic theorists."--Rakesh Vohra, University of Pennsylvania

About the Author
Alfred Galichon holds joint appointments in the Department of Economics and the Courant Institute of Mathematical Sciences at New York University. He is on the editorial boards of the Review of Economic Studies and Economic Theory and is a research fellow at the Center for Economic and Policy Research (CEPR) and the Institute for the Study of Labor (IZA).

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Rabu, 18 Maret 2015

[B437.Ebook] Download Sixguns and Society: A Structural Study of the Western, by Will Wright

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Sixguns and Society: A Structural Study of the Western, by Will Wright

From the Preface:The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consciousness and society. If a myth is popular, it must somehow appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them. This meaning must, in turn, reflect the particular social institutions and attitudes that have created and continue to nourish the myth. Thus, a myth must tell its viewers about themselves and their society. This study, which takes up the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. Mostly, however, it will take us into the movies, the spectacular and not-so-spectacular sagebrush of the cinema. Unlike most works of social science, the data on which my analysis is based is available to all of my readers, either at the local theater or, more likely, on the late, late show. I hope you will take the opportunity, whenever it is offered, to check my findings and test my interpretations; the effort is small and the rewards are many. And if your wife, husband, mother, or child asks you why you are wasting your time staring at Westerns on TV in the middle of the night, tell them firmly--as I often did--that you are doing research in social science.

  • Sales Rank: #114284 in Books
  • Published on: 1977-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .63" w x 6.00" l, .64 pounds
  • Binding: Paperback
  • 232 pages

From the Inside Flap
"In this structural study of the Western, sociologist Will Wright proposes that a clear pattern of change and development in the financially successful Western films of the last 40 years correlates with basic changes in American society. Applying structural analysis to Western plots, Wright distinguishes four historical periods of the sound Western . . . A highly intellectual and sophisticated presentation, the book should appeal to film enthusiasts as well as to critics, historians, and theoreticians. It may very well become a classic in film literature."�--Choice�" ... Has the great merit of showing lucidly how westerns (and by implication other films and other forms of popular entertainment) offer versions of social thought, that is, are not merely reflections of prejudice or fantasy but are narrative vehicles for the display and displacement of what worries us. 'Myths and traditions,' Wright says, echoing Levi-Strauss, 'are not opposed to reason but are forms of reasoning.' "--New York Review of Books�"Will Wright has done an impressive job of making structuralism available to Americans in a sophisticated and ingenious book that will be of interest to pop culturists, film critics, students of median and communications, social scientists, and all those interested in westerns . . . Wright studied the top-grossing western films from 1930 to 1972 and as the result of his syntagmic analysis found that there are four basic plots in these films: the classical plot, the transition theme, the vengeance variation and the professional plot. Furthermore, he has found an evolutionary movement from the classical plot to the professional plot that corresponds to what he asserts to be a change in American society ... It is a stimulating adventure to follow Wright as he wanders in this so-called virgin land of the American imagination. Like the gunslinger of old, he is willing to pick fights with anyone from the venerable Henry Nash Smith to the master, Levi-Strauss himself."�--Journal of Communication

About the Author
Dr. Will Wright is Professor Emeritus of Sociology at Colorado State University. Before joining the faculty at CSU-P in 1986, he taught at several universities including the University of California, Northwestern University, Wesleyan University, and the University of Arizona.�Dr. Wright, who was formerly the chair of the sociology department, has written four major books The Wild West: The Mythical Cowboy and Social Theory, Sage Publications, 2001, Wild Knowledge: Science, Language, and Social Life in a Fragile Environment, University of Minnesota Press, 1992, The Social Logic of Health, (with new Introduction) Wesleyan University Press, 1994, (First edition: Rutgers University Press, 1982), Sixguns and Society: A Structural Study of the Western, University of California Press, 1975. Dr. Wright’s Sixguns and Society is widely considered a classic in its field and despite its publication over 30 years ago remains in print and in the library of every serious student of the Western movie. His work on Westerns is widely cited internationally and his theoretical analysis of the genre is summarized in detail in a number of prominent texts on film and society.�Dr. Wright’s scholarly articles on theory, popular culture, and film have appeared in a variety of academic journals including Journal of Popular Film and Television, War, Literature and the Arts, Contemporary Sociology, The Social Text, and New Society. He has also contributed a number of chapters to edited books.

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0 of 0 people found the following review helpful.
Three Stars
By Rachel D
Interesting view.....Don't agree with everything, but interesting, none the less!

7 of 7 people found the following review helpful.
Smply Brilliant
By Douglas Steeples
Thirty years ago, while a dean in Colorado, I added Will Wright to the faculty of the College of Liberal and Fine arts at the University of Southern Colorado. This book, his first, promised more outstanding scholarship to come. He filled that promise with zest and insight, setting an example for faculty colleagues as well as students. This is one of the most perceptive works written on the west in U.S. cultural history, a fit companion for Henry Nash Smith's Virgin Land.

10 of 10 people found the following review helpful.
An Intriguing Analysis of the Western Film
By Roger D. Launius
This is an enormously significant and provocative book that deserves sustained consideration by anyone interested in the serious study of the history of film. Will Wright undertakes a structural study of the westerns made by Hollywood from 1930 to 1972, concentrating on the top moneymakers in the genre. He treats westerns as the depiction of myth, occupying space between individual and societal norms. He believes that for these films to be popular they must "appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them" (p. 2). A take-off of the work of Claude L�vi-Strauss, Wright extends symbolic meaning to represent and reflect the social institutions and attitudes that create and sustain myth. He notes that myth shifts in response to the social world in which it exists. As he explains it: "My argument, then, is that within each period the structure of the myth corresponds to the conceptual needs of social and self understanding required by the dominant social institutions of that period; the historical changes in the structure of myth correspond to the changes in the structure of the dominant institutions" (p. 14).

Less psychological than L�vi-Strauss, Wright uses a tribal myths concept to explore the sociology of the Western film. He creates a typology of the western genre, emphasizing the development of four recurring plot structures that repeat themselves with variations throughout the history of the Western film: classical, vengeance, transitional, and professional. Western films have evolved through these plot structures, and Wright seeks to demonstrate a correlation between the films, their plot lines, and the larger society that embraced them. Offering short plot synopses as examples, Wright then explores the structural meaning of these films. The classical plot is represented in such films as "Shane," and emphasizes the separation of the hero from the society around him and the strength of the individual to aid that society. The vengeance plot of such films as "One Eyed Jacks," a variation of the classical plot, has similar elements but casts the hero outside of society, and never capable of living in it. The transitional plot, such as "High Noon," anticipated new social values while forcing the hero to stand against both evil and the society at large. Finally, the professional plot, such as depicted in "Butch Cassidy and the Sundance Kid," suggests that companionship comes only in the banding together of skilled groups who sell their services and remain loyal to each other but no others.

Will Wright concludes: "In the sixties and seventies, the traditional conceptual conflict between the idea of society and the idea of the individual has been transformed into a conflict between society and an elite group. This is perhaps one of the most significant consequences of the emergence of capitalist technology as a social and ideological force" (p. 184).

This is an important and provocative book. It has received both praise and criticism for its attempt to place the Western film into this rigid structural analysis. There are good reasons to be skeptical of some of its ideas. There are also very good reasons to accept much of what Will Wright says in this challenging book.

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Senin, 16 Maret 2015

[K682.Ebook] PDF Ebook Financial Accounting: An Introduction, 7th ed., by Pauline Weetman

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Financial Accounting: An Introduction, 7th ed., by Pauline Weetman

Financial Accounting: An Introduction, 7th ed., by Pauline Weetman



Financial Accounting: An Introduction, 7th ed., by Pauline Weetman

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Financial Accounting: An Introduction, 7th ed., by Pauline Weetman

Financial Accounting An Introduction Pauline Weetman seventh edition The seventh edition of this well-respected and fully updated text retains all of the features that have contributed to the book's popularity: focus on the accounting equation, student activities and real-life commentaries throughout each chapter, a clear and accessible writing style, and inclusion of real-world case studies. With a strong emphasis on the Conceptual Framework of the International Accounting Standards Board, Financial Accounting: An Introduction guides students in understanding the 'why' and not just the 'what' of financial accounting. Key features: *New case studies containing examples from real-world companies *New coverage on fair value throughout *New coverage of the Strategic Report and Directors' Report * Focuses on specific knowledge outcomes, with end-of-chapter self-evaluation * Questions are graded according to difficulty to test student understanding * Definitions and terminology is fully in-line with the revised IASB Conceptual Framework * Experience-driven conversations between two managers are included throughout, providing a practical examination of real life scenarios Financial Accounting: An Introduction is aimed at first-level undergraduates on business studies degrees taking introductory financial accounting classes; first-level specialist accounting undergraduate students; introductory core accounting for MBA and postgraduate specialist Masters students, focusing on analysis through the accounting equation and a questioning approach to problem solving; and professional courses where accounting is introduced for the first time. "MyAccountingLab advert" Pauline Weetman BA, BSc (Econ), PhD, CA, FRSE, is Professor Emerita of Accounting at the University of Edinburgh, and has extensive experience of teaching at undergraduate and postgraduate level, with previous chairs held at Stirling, Heriot-Watt, Strathclyde and Glasgow Universities. She received the Distinguished Academic Award of the British Accounting Association in 2005. She has convened the examining board of the Institute of Chartered Accountants of Scotland and was formerly Director of Research at ICAS.

  • Published on: 2015-11-19
  • Original language: English
  • Dimensions: 10.47" h x .75" w x 7.72" l, 2.20 pounds
  • Binding: Paperback
  • 540 pages

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