Kamis, 30 Juni 2011

[W792.Ebook] Free Ebook Cartooning for Beginners, by Peter Maddocks

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Cartooning for Beginners, by Peter Maddocks

A step by step guide on how to draw cartoons for all the family.

Take a good look through the book first before you start to draw, then just follow this book from page to page with pencil paper and pen and I will have you drawing like a cartoonist in no time!

There are lots of things to copy or trace to give you an idea of how to put a character or a cartoon together.

Don't forget that practice makes perfect, so if you don't get it right the first time do it again, and again...

But most of all enjoy your work.

Kindle for PC an excellant way to view this edition!

Peter Maddocks was a full time professional Cartoonist, both in National Newspapers, films and TV animation.

  • Sales Rank: #173742 in eBooks
  • Published on: 2011-07-26
  • Released on: 2011-07-26
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Best book ever!
By Hur
This book showed me how to draw truly amazing cartoons! This book shows you how to draw whatever you want but in a cartoon!

0 of 0 people found the following review helpful.
Perfect
By DeNae Handy
I needed some very specific illustrations for a series of music books, and this book came through beautifully. Funny that he suggests turning to music if the cartooning doesn't work out, huh?

0 of 0 people found the following review helpful.
Fun book to start cartooning
By Marcela
This is a fun book for older children or young adults to start cartooning. It is fun for adults too! Very nice format and the examples are nice and useful

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Selasa, 28 Juni 2011

[J166.Ebook] Ebook Democracy's Body: Judson Dance Theatre, 1962–1964, by Sally Banes

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Democracy's Body: Judson Dance Theatre, 1962–1964, by Sally Banes

Democracy's Body offers a lively, detailed account of the beginnings of the Judson Dance Theater--a popular center of dance experimentation in New York's Greenwich Village--and its place in the larger history of the avant-garde art scene of the 1960s. JDT started when Robert Dunn, a student of John Cage, offered a dance composition class in Merce Cunningham's studio. The performers--many of whom included some of the most prominent figures in the arts in the early sisties--found a welcome performance home in the Judson Memorial Church in the Village. Sally Banes's account draws on interviews, letters, diaries, films, and reconstructions of dances to paint a portrait of the rich culture of Judson, which was the seedbed for postmodern dance and the first avant-garde movement in dance theater since the modern dance of the 1930s and 1940s. Originally published in 1983, this edition brings back into print a highly regarded work of dance history.

  • Sales Rank: #798602 in Books
  • Brand: Brand: Duke University Press
  • Published on: 1993-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.99" h x .84" w x 6.01" l, 1.07 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
"Anyone interested in choreography or methods of teaching composition must have this book on the shelf. . . Th[is] book is crucial in understanding our history and in appreciating the shape of dance today. Dancers and choreographers need to read it to learn about their heritage, historians to discover clarity about a rambunctious and exciting period of dance history that has been fuzzy with myth and misunderstanding. . . It must be read."—Sally Sommer, Dance Research Journal (from a review of the 1983 edition)

"Ms. Banes is widely respected as the leading scholar/historian writing about this seminal and neglected period of contemporary dance history. . . Her books are indispensable for any serious dance historian or student of this era. . . Democracy's Body is the type of inaugural survey of a period of art that will undoubtedly inspire other books."—Janice Ross, Stanford University

"Sally Banes is one of the most influential dance historians in America right now. The Judson Era, which Democracy's Body examines in meticulous detail, is a key moment in American dancing."—Mindy Aloff, Dance Critic, The New Yorker

Most helpful customer reviews

10 of 10 people found the following review helpful.
Judson Dance Theater: Everything You Need To Know
By Sarah Hauss
This book is an historical account of the Judson Dance Theater. Through interviews of the members of Judson, reviews, and research, Banes creates an incredibly thorough documentation of these two years. Every teacher, mentor, advisor, critic, dancer, choreographer, visual artist, musician, critic, stage manager, and lighting designer connected either directly or peripherally with the Judson Group is mentioned in this book. Vivid descriptions of the dances in each concert have been pieced together through Bane's extensive research. The title refers to the Judson commitment to the collective process and the reduction of hierarchical relationships between dancers and choreographers, traditional technique and pedestrian movement, and content and form. Numerous artists from different mediums participated in the over 200 dances presented by Judson Theater in the 2 years that the group was active. Some notable members include: Trisha Brown, Yvonne Rainer, Steve Paxton, Fred Herko, Elaine Summers, Robert Morris, Deborah and Alan Hay, David Gordon, Judith and Robert Dunn, Lucinda Childs, and Robert Rauschenberg.
Bane's thoroughness makes the book a bit dense in places. I sometimes longed for visual aides when I read the detailed descriptions of the dances in each concert. Yet, also due to this thoroughness, I felt that I really got to know some of the personalities involved in the group, such as; Steve Paxton and Yvonne Rainer. I particularly enjoyed learning about the development and flux in momentum of this revolutionary moment in dance.
It was a wonderful surprise to be introduced to the writings of critic Jill Johnston through this book. I reccomend "Marmalade Me" (a collection of Jill's writings from 1960-69) as a compliment to this book.

0 of 0 people found the following review helpful.
Five Stars
By Cliente Amazon
everything ok

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Minggu, 26 Juni 2011

[K226.Ebook] Ebook Download How to Talk Dirty and Influence People: An Autobiography, by Lenny Bruce

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How to Talk Dirty and Influence People: An Autobiography, by Lenny Bruce

During the course of a career that began in the late 1940s, Lenny Bruce challenged the sanctity of organized religion and other societal and political conventions; he widened the boundaries of free speech. Critic Ralph Gleason said, “So many taboos have been lifted and so many comics have rushed through the doors Lenny opened. He utterly changed the world of comedy.”

Although Bruce died when he was only forty, his influence on the worlds of comedy, jazz, and satire are incalculable. How to Talk Dirty and Influence People remains a brilliant existential account of his life and the forces that made him the most important and controversial entertainer in history.

  • Sales Rank: #316581 in Books
  • Published on: 2016-08-02
  • Released on: 2016-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 240 pages

Review
Praise for How to Talk Dirty and Influence People

"I read this book for the first time when I was twelve years old. It made me want to be in showbiz, have a lot of sex, and be Jewish. I've rethought that last one."—Penn Jillette, author of God No!

"If there was a God, then he sent down Lenny Bruce to create the art form of modern stand-up comedy. He sought the truth fearlessly and hilariously until his tragically muffled First Amendment rights surely enabled his dying for our sins."—Richard Lewis, author of The Other Great Depression

Playboy, 8/3/16
“Outside every American comedy club there ought to be a statue of Lenny Bruce—the type of big bronze statue that commemorates and immortalizes heroes…Bringing Bruce's ideas and stories to a new generation might just be the next best thing to erecting those bronze statues.”

Spectrum Culture, 10/11/16
“Sheds light on the mind behind some of the most controversial comedy routines of the mid-20th century.”

About the Author
Lenny Bruce (1925–1966) was a stand-up comedian, social critic, satirist, and screenwriter. His 1964 trial for obscenity (and posthumous pardon) is seen as a landmark for freedom of speech in the United States.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A great book. Although I still have the raggedy copy ...
By Kathy Nather Thomas
A great book. Although I still have the raggedy copy I bought in the late 60s, I couldn't resist buying this newly released edition. Love the new cover and I want to support his daughter in her efforts to help drug addicts.

1 of 1 people found the following review helpful.
So far ahead of his time. He was prosecuted ...
By Patrick Regan
So far ahead of his time. He was prosecuted and arrested for material that is now common on cable tv.

1 of 1 people found the following review helpful.
Five Stars
By Vincent Fitzsimmons
Brilliant autobiography by a revolutionary comedian.

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Jumat, 24 Juni 2011

[T301.Ebook] PDF Download Panzer-Grenadier Division "Grossdeutschland" (Vanguard 2) (English, French and German Edition), by Bruce Quarrie

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Panzer-Grenadier Division

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Panzer-Grenadier Division

  • Sales Rank: #2905531 in Books
  • Published on: 1977-12
  • Original language: English, French, German
  • Number of items: 1
  • Binding: Paperback
  • 48 pages

Language Notes
Text: English, French, German

Most helpful customer reviews

0 of 0 people found the following review helpful.
Well done history
By Louis S. Menyhert
Well done but I wish they had gone into greater detail about this elite division.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
good book

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Sabtu, 18 Juni 2011

[X972.Ebook] Ebook Free A Court of Thorns and Roses, by Sarah J. Maas

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A Court of Thorns and Roses, by Sarah J. Maas

THE INSTANT NEW YORK TIMES BESTSELLER

Perfect for fans of Kristin Cashore and George R.R. Martin, this first book in a sexy and action-packed new series is impossible to put down!

When nineteen-year-old huntress Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin--one of the lethal, immortal faeries who once ruled their world.

As she dwells on his estate, her feelings for Tamlin transform from icy hostility into a fiery passion that burns through every lie and warning she's been told about the beautiful, dangerous world of the Fae. But an ancient, wicked shadow over the faerie lands is growing, and Feyre must find a way to stop it . . . or doom Tamlin--and his world--forever.

  • Sales Rank: #8068 in Books
  • Published on: 2015-05-05
  • Released on: 2015-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.55" h x 1.58" w x 6.43" l, .0 pounds
  • Binding: Hardcover
  • 432 pages

From School Library Journal
Gr 9 Up—When 19-year-old Feyre kills a wolf in the barren woods near her home in Prythian, she thinks it might be enough to help her family survive another long winter. Instead, a monstrous creature soon comes to the cottage, accusing Feyre of murder and demanding she return with him to the Fae realm as payment for the life she took. Feyre finds herself held on a lavish estate belonging to an elite Fae creature known as Tamlin. Over the course of her captivity, Feyre soon learns that life in the Fae realm can be as much of an opportunity as a punishment. When her feelings for Tamlin shift from loathing to lust, Feyre also realizes little will be able to keep them apart—not even the threat of evil lurking on the borders of the estate. Something that has cursed Tamlin for centuries may destroy him and his realm if Feyre can't find a way to stop it. Maas follows up her "Throne of Glass" novels (Bloomsbury) with this series opener. Readers will find the author's trademark blend of action, romance, and witty banter as well as a sexier, edgier tone. This retelling of "Beauty and the Beast" and "Tam Lin" (with elements from ancient Greek mythology thrown in) has a strong focus on Feyre's physical attraction to Tamlin, but characters lacking in dimension detract from Feyre's strengths as a capable but rash heroine. Uneven pacing includes a slow start followed by a game-changing information dump, and then a more action- and less romance-filled second half. VERDICT A weak fantasy with strong romance elements. Good for fans of Maas's previous books looking for a more mature read.—Emma Carbone, Brooklyn Public Library

Review

“A gorgeously written tale as lush and romantic as it is ferocious. Absolutely spellbinding.” ―Alexandra Bracken, NEW YORK TIMES bestselling author

“Simply dazzles. . . . the clamor for a sequel will be deafening. . . . Maas' Throne of Glass series has been a smash hit. . . this new series is primed to follow in its footsteps.” ―starred review, Booklist

“Readers will find the author's trademark blend of action, romance, and witty banter as well as a sexier, edgier tone.” ―School Library Journal

“Sarah J. Maas delivers what may be her best work to date. . . . Enchanting, spellbinding and imaginative. . . . The world-building is stellar, as only Maas can imagine it.” ―USA Today Happy Ever After

“Suspense, romance, intrigue and action. This is not a book to be missed!” ―The Huffington Post

“[T]he sexual tension and deadly action are well-supported by Maas' expertly drawn, multidimensional characters and their nuanced interpersonal dynamics. . . . Sexy and romantic.” ―Kirkus Reviews

“Elements from 'Beauty and the Beast,' 'East o' the Sun, West o' the Moon,' the myth of Persephone, and the legend of Tamlin are seamlessly interwoven with clever allusions, while the faerie world is resplendent in its initial beauty and then horrific in the brutality Feyre later encounters.” ―BCCB

“A dazzling world, complex characters and sizzling romance. Feyre is a charming heroine with a perfect amount of flaws and strengths, and her chemistry with Tamlin is wonderfully tangible.” ―Top Pick, RT Book Reviews

“A well-developed world. . . . [Feyre's] grit and boundless loyalty demand that her foes--and readers--sit up and pay attention.” ―Publishers Weekly

“I was afraid to put the book down!” ―Tamora Pierce, NEW YORK TIMES bestselling author, on HEIR OF FIRE

“The pages fly by.” ―Booklist on HEIR OF FIRE

“Will leave readers ravenous for more.” ―Kirkus Reviews on HEIR OF FIRE

“Readers will devour Maas's latest entry . . . A must-purchase.” ―School Library Journal on HEIR OF FIRE

“An epic fantasy readers will immerse themselves in and never want to leave.” ―starred review, Kirkus Reviews on CROWN OF MIDNIGHT

“Series fans . . . will be thrilled by the prospect of deepening adventures in the next volume.” ―Booklist on CROWN OF MIDNIGHT

“A thrilling read.” ―starred review, Publishers Weekly on THRONE OF GLASS

“A must-read for lovers of epic fantasy and fairy tales.” ―USA Today Happy Ever After on THRONE OF GLASS

“Fans of Tamora Pierce and George R.R. Martin, pick up this book!” ―RT Book Reviews on THRONE OF GLASS

About the Author
SARAH J. MAAS is the author of the New York Times, USA Today, and internationally�bestselling Throne of Glass series: Throne of Glass, Crown of Midnight,�Heir of Fire, and the series' prequel, The Assassin's Blade; as well as the New York Times�and USA Today bestselling�A Court of Thorns and Roses. A New York native, Sarah currently lives in Pennsylvania with her husband and dog. Queen of Shadows, the fourth book in the Throne of Glass series, will release worldwide on September 1st, 2015.

sarahjmaas.com
facebook.com/throneofglass
@SJMaas

Most helpful customer reviews

152 of 168 people found the following review helpful.
*** STANDING OVATION ***
By Parajunkee
This review will be updated closer to review date, but I wanted to post my initial feelings quickly.

To say it lightly, this book blew me away. Much like Sarah J. Maas' first book, THRONE OF GLASS did. I mean blew me away. Can't stop reading. Can't put the book down. Why can't I drive and read? - Blew me away.

The world was original and well constructed, but the characters and their transitions are what did me in. Feyre was similar to Maas' Throne of Glass main character, Celaena, but she is more innocent and compelling. Her story is more of a coming of age story as she is brought to this crazy world. I at first doubted Maas as I read the book, thinking she was making the characters act oddly just to push forward the plot. But, in the end...it all came together and I was ashamed...so ashamed for doubting Maas. She's a genius.

This book rocked my world.

I have one thing to say though, this book is not what I would consider a Young Adult, even though it is classified as this on some lists. This is definitely New Adult, but I don't think genres are updated enough to classify this correctly. So please be aware of this. New Adult is very different from YA. The tone is YA, the story is not. The main character is 19, the characters engage in sexual encounters that are explicitly detailed. This is not a book I would recommend for a teen audience. This is a mature Fantasy with an intense romance subplot. There are graphic and violent scenes, death, destruction and all that good stuff that adults get to read. Enjoy. This is a must read.

148 of 172 people found the following review helpful.
Intriguing plot, but ultimately just ok
By Kirsio
A Court of Thrones and Roses is a new-adult fantasy revolving around the fae. It is a bit of a hybrid retelling of "East of the Sun and West of the Moon" with a little "Beauty and the Beast" thrown in. I was pleasantly surprised to find that while the framework from those stories is evident in the general plot, the details are unique and I wasn't always able to guess what would happen next. Maas does a good job of taking these stories and making them her own, which was nice to see because retellings can become tedious when they are too predictable. I suspect any fans of her other books will be thrilled with this new world and nothing I say will deter them, nor would I want to.

However, aside from liking the plot, I was not blown away by this book. I've read Sarah Maas before (Throne of Glass) and thought that book was just ok. I was still excited to get my hands on this one and give it a try because of the early praise I was seeing on Goodreads; unfortunately, and this is only my opinion, I found the writing to be weak and lackluster, and that is the main reason why I'm only giving it three stars.

In my experience, the difference between YA and NA is slim, but NA books typically have older protagonists in more mature situations and usually have more explicit sexual content than the YA "fade to black" variety. In that sense, because it has some PG-13 sex in it, Court of T&R is technically a new adult book-- yet it still felt like a YA book to me. It contained all of the typical YA tropes that just won't die: first-person narrator, insignificant young girl who accomplishes unimaginable feats, negative internal woe-is-me self talk, and more than one gorgeous man vying for her attention. If those things bug you, be advised before heading into this one.

Surprisingly, I'm actually not holding the trope pitfalls against this book, though. Like I said before, I really did get caught up in the plot and it kept me turning pages quickly until I was done. My biggest complaint with this book was the writing itself. I don't expect high literature when I pick up books like this, I pick them up for a fun afternoon escape, but I still expect some degree of finesse from best-selling authors. I want descriptions that help me see things, rather than generalities such as "…So much color, so much sunlight and movement and texture… I could hardly drink it in fast enough. To paint it would be useless, would never do it justice."

That told me absolutely nothing about why this land of the Fae was so breathtaking. Not all descriptions were like that, there were a few good moments, but most of the time I was unimpressed with the descriptions and the word choices. Repeated turns of phrase, such as "a chill spider-walked down my spine," become distracting when they are used multiple times, and I was considerably bothered by the incessant use of the "as if" similes. I'm not usually one to let minor writing quirks annoy me, but I felt that this book was dragged down by a classic, and severe, case of "telling, not showing." Any time the author didn't trust me as the reader to be smart enough to figure out what the characters' body language was saying, she just had the narrator explain it in painful detail. I found this insulting to my intelligence.

But, those are my only real complaints.

Basically, this is a beach read. An airplane read. An "I'm sick and need a distraction," read. It's not particularly well-written and the tropes might annoy the more jaded readers of the YA genre, but if you know you already like Sarah Maas's style and the plot synopsis intrigues you, give it a try. You may enjoy it more.

32 of 34 people found the following review helpful.
ஐBeauty and the Beast meets Faerie ஐ
By Robin Snyder
ஐBeauty and the Beast meets Faerie ஐ – I should ADORE this but overall it was just okay. There are things I totally loved about this story, but they are marred by the things that didn’t quite work out for me and so what I’m left with is feeling in the middle where I didn’t love it but I didn’t hate it either.

I’m a huge fan of beauty and the beast retellings or most fairytales actually, but Belle is my absolute favorite heroine because she is smart, reads and doesn’t fall head over heels for the first pretty face that happens along. She and I could totally be BFFs. Then there is the Fae. Now I’m not a big expert on faerie stories or anything like that, but I find the Fae to be totally interesting creatures and usually like it when they are incorporated into stories. Instead if this being a magical mashup that made the story soar to new heights of awesome I found myself seeing some serious sour notes that disjointed the story and made it feel clunky.

The stuff I totally LOVED –

✧ - Tamlin and his Faerie world - There are some really interesting descriptions of the time spent at the his manor. The lake full of starlight, the manor, the art and his court cursed to all be in masks. Tamlin is completely likable right from the near beginning.

✧Lucien – He is a spunky guy full of vim and vinegar that Fayre has a lot of fun verbally sparring with and getting into general trouble. He is also a great friend to Tamlin and I love the brotherly bound between them. While Lucien has an easy way with people he is working hard to help his friend find the right way to woo Fayre.

✧ The Love Story – I enjoyed the time Tamlin and Feyre were getting to know each other and the tentative flirting the best. I really wish there was maybe just a little more time spent on it as it was the basis for the last 40% of the book.

“My father once told me that I should let my sisters imagine a better life—a better world. And I told him that there was no such thing.” I ran my thumb over his mouth, marveling, and shook my head. “I never understood—because I couldn’t … couldn’t believe that it was even possible.” I swallowed, lowering my hand. “Until now.”

✧ The ‘Tasks’ – I like the idea behind completing some challenges to prove your worth and love. I liked even more that it was Feyre The Girl who had to do this instead of prince charming. It was a nice twist to a normal Fairytale.

✧ - The Curse – while not particularly a fan of the fact the curse made Tamlin and his court all have to wear masks (since I really thought it would have been better if they all had to remain in animal form) I did like the final symmetry and cruelty of the curse. It was different and I totally respect that, it was a truly Fae curse in the level of cruelty behind it.

✧ Rhysand – was my FAVORITE CHARACTER and I’ll totally admit I’m still not sure what exactly I think of him. I will say this though, he is the most interesting character in the book whether he is playing on the side of good or evil….well you will have to make your own decision on that. But I seriously hoping the next book is about him.

As this is the start of a new series I will give it some leeway at getting started. There are some really fun parts to the story and even though it is a bit clunky at times I still got to a point when they are ‘Under the Mountain’ that I needed to get through the story to see how it all worked out and this is where the story mostly stayed on the like side of the line.

The stuff that missed the mark:

✦ - When writing about a well-established lore I think there are some things that perhaps the reader will ‘accept’ or ‘not accept’ based on how important or ingrained it is OR the story the author puts with the lore change. Based on my various readings there are a few things about fantasy creatures that are ingrained into me. I KNOW that

➜ Vampires – Drink blood, Can’t be in the sun and die by a wooden stake through the heart
➜ Werewolves – Silver bullets, Shifting (of some kind), Full Moon
➜ Fae – Immortal Tricksters, CAN’T LIE
➜ Zombie – Human dead, eat flesh

I’m not going to say the Maas changed the Fae lore so much that she *Stephanie Meyer’d* it but she pretty much made a change to the Fae lore equivalent to making vampires sparkle in the sunlight. It isn’t quite a deal breaker for me, but I’m not a fan of that particular lore twist either.

✦ It pains me to say this but Feyre and I didn’t get along until about 75% of the way through the book. She does so many stupid things that honestly I went from really liking her in the very beginning of the story to being completely annoyed with her.

She began strong and independent with a family to support and I really liked that she wasn’t your typical virgin heroine. She hunted for her family and was the main supporter. Not conventionally educated she still came across as bright and strong.

After ending up in Tamlin’s court and promising to stay the first thing Feyre tries to do is escape, when Tamlin assures her that he has seen to her family’s comfort she pouts and tries to find a way to escape again. She puts herself in dangerous situations without much thought in these attempts and really it was slightly tiresome.

“Weren’t you warned to keep your wits about you?” Tamlin snapped. “That your human senses would betray you?”
He stepped beyond me and let out a snarl so vicious that whatever the thing was by the gates shimmered with light and darted out as fast as lightning streaking through the dark. “Fool,” he said to me, turning. “If you’re ever going to run away, at least do it in the daytime.”

I liked her a little more after she calmed down and decided to stay but the damage was done and she never made much headway with me again until toward the very end of the book when she became much more likable.

✦The Curse –( Yes I know that it is up in the like part as well, you get +5 points because you noticed) - The story made it seem like it was so horrible to be cursed to wear the masks but honestly I thought it made Tamlin hotter instead of diminished. Masks are sexy I don’t care who you are just think about it Zorro, Phantom of the Opera, a slew of superheroes AND….The Dread Pirate Roberts

Tamlin had a beast form so I thought it would have worked possibly better if she had to fall in love with only his personality. Just an opinion.

✦The ‘Rite’ – There is a moment in the book where there is a spring festival. I’m not a prude I swear but it really bothered me how that played out. The whole scene made me feel a little strange and I really wasn’t sure what to do with my feelings about it. Maybe if I knew some other Fae stories and knew that was what ‘The Rite’ of spring was I wouldn’t have minded but I was not prepared. On a good note I was happy that it didn’t have any negative residual affects between Feyre and Tamlin.

Overall Thoughts:

Sometimes at the beginning of a new series you can’t see the big picture and that is why the first book of it might fall a little flat for you. I will say that when I read Throne of Glass it was just an okay book for me as well but then I loved both Crown of Midnight and Heir of Fire. I’m hoping that is also the case with this series.

Based on how the book ended I have some really high hopes for the next book of this series. If you like fairytale retellings or Faerie stories then I say still give this one a go. If anyone can deliver a stronger second book to a series it is Maas so I’m not concerned and think she could be off to a solid start.

Begs Sarah J. Maas to have the next book be about Rhysand and dare I hope for it..….Nesta

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Minggu, 12 Juni 2011

[M391.Ebook] Ebook Download Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin

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Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin



Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin

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Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin

This book provides a concise guide to conducting and interpreting the electronystamography/ videonystagmography examination. In order to provide a foundation for understanding ENG/VNG test results, the early sections of the text are dedicated to a description of normal and impaired peripheral and central vestibular system function. Also addressed is the process of central nervous system compensation. These sections are followed by a description and interpretation of the ENG/VNG subtests including: ocular motor testing, positional/ing testing and caloric testing. Finally, examples of counseling materials and illustrative case studies that serve to highlight the principles and techniques covered in the manual will be provided. This text is designed to be a practical and portable resource for use in the clinic. It may serves as a text for students training or as a practical summary of existing larger textbooks.

  • Sales Rank: #688548 in Books
  • Brand: Brand: Plural Publishing
  • Published on: 2012-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .50" w x 8.40" l, 1.20 pounds
  • Binding: Paperback
  • 250 pages
Features
  • Used Book in Good Condition

Review
This book provides a good reference for anyone starting out in the field of balance assessment, and would be a useful book in any balance assessment clinic as a source of information from anatomy to test interpretation.

Anatomy and physiology are presented clearly in a way that relates to testing performed in the clinic. Clearly labeled diagrams step through the physiological responses from a basic level. Peripheral vestibular impairment and the processes of central nervous system compensation are described thoroughly with clear diagrams to explain the processes....

A section on history taking will help the balance student structure and work through a history to develop an impression of the patient's condition. There is a chapter dedicated to describing ENG and VNG and eye movement examinations with a description of the pathologies indicated, with a few trace examples to show abnormal results.

BPPV in all its various forms is well described with details on the anatomy physiology testing and treatment being covered and well referenced....

There are six appendices which include a selection of useful questionnaires and information leaflets for patients.

... [O]verall this is an ideal book for those wanting to learn about vestibular testing or to develop their knowledge through the reference section. --John E FitzGerald BSc PhD CS, Consultant Clinical Scientist, Head of Audiological Services, Norfolk & Norwich University Hospitals, UK, ENT & Audiology News, Vol. 23 No. 5, (November/December 2014)

Overall, ENG/VNG is clearly written and easy to read. The seven chapters are logically organized with large, clearly labeled headings, making it easy to search through the book to find information on specific topics... Relevant research in each area discussed in the book is nicely distilled and woven into the text, and there is a wealth of references should the reader wish to further explore concepts covered in the book. In each chapter, there are useful summary tables along with borrowed, adapted, and original figures that clearly illustrate concepts described in the text ...I appreciated the author s comprehensive discussion of neural compensation. The figures related to this section were particularly helpful. In the thorough chapter regarding pretest, or bedside evaluative procedures, the author points out the importance of considering the debilitative effects that a balance disorder can have on the functional and emotional aspects of an individual s life. I believe that in some cases, our focus on determination of system dysfunction results in less attention being paid to how this impairment affects a patient globally. The inclusion of the Dizziness Handicap Inventory in this section is helpful... Each occulomotor test is comprehensively reviewed, and the sections for each are clearly organized with a brief description of the test, how to assess, how to interpret and analyze recordings, followed by discussions of abnormal results that one may encounter. This sort of organization is great for students and clinicians alike...

In summary, ENG/VNG is nicely organized and executed. The text is current and supported by relevant examples from the literature. The author s writing style is straightforward and approachable. The included figures are well chosen and illustrative, adding to the value of this manual as a reference in both the clinic and the classroom, much like its predecessor from Barber and Stockwell. Finally, much like Manual of Electronystagmography, ENG/VNG is an ideal reference book that should serve students and clinicians well for years to come. --David S. Velenovsky, PhD, CCC-A, in Ear and Hearing, (March/April 2015)

About the Author
Devin L. McCaslin received a Master s degree in Audiology from Wayne State University and a PhD in Hearing Science from The Ohio State University. Since then, Dr. McCaslin has had several clinical positions as an audiologist and clinic coordinator. He now holds an academic appointment as an Assistant Professor in the Department of Hearing and Speech Sciences Communicative Disorders at the Vanderbilt Bill Wilkerson Center at Vanderbilt University. He maintains a clinical practice and is an instructor in the both the Doctor of Audiology and Ph.D. programs. Dr. McCaslin s major academic, clinical and research interests relate to clinical electrophysiology, tinnitus and vestibular assessment. He is the author of numerous journal articles, monographs, or book chapters.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Finally!
By Eardr58
Finally a book that does not require searching through in order to find clinically useful information. The numerous illustrations and tables connect with the text to make the book a must for those in clinic. Thank you!

2 of 2 people found the following review helpful.
Great Intro Book
By pag340
I required this book for my intro vestibular class. Dr McCaslin does a great job at making the information easy to read. The students were able to read the book, absorb, and apply the information. And I actually had students voluntarily tell me that they enjoyed reading it and it was easy for them to understand it. This is a great book and I would highly recommend it.

1 of 1 people found the following review helpful.
A good books for the beginners
By yulia
I have been working in vestibular lab.
In hadassah hospital since 1991 and
I have been teaching this course in
The department for communicative
Disorders since 2001. So I find this book
helpfull for creating the course in this
complicated field .
Best regards
Dr. Y. Meyler

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Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin PDF

Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin PDF
Electronystamography/Videonystagmography (Core Clinical Concepts in Audiology), by Devin Lochlan McCaslin PDF

Rabu, 08 Juni 2011

[H661.Ebook] PDF Ebook [ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004, by Harvey Whiteho

PDF Ebook [ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004, by Harvey Whiteho

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[ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004, by Harvey Whiteho



[ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004, by Harvey Whiteho

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[ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004

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[ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004, by Harvey Whiteho PDF
[ Modes of Religiosity: A Cognitive Theory of Religious Transmission Whitehouse, Harvey ( Author ) ] { Paperback } 2004, by Harvey Whiteho PDF